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skip to content home about blog altman interview archive catalogue ijra ← older posts about the altman-koss video jazz archive posted on july 26, 2017 by admin the collection was donated to the university’s music department by an alumnus, the distinguished film and television composer and producer, john altman. the collection comprised approximately 1600 vhs tapes of footage of jazz performances recorded off-air from television broadcasts. altman, along with his colleague the late eric koss, established a network of collectors who had been exchanging and sharing the footage over a period of some years. the school of media, film and music has started to digitise this footage in order to enhance access to the collection for students, and for visiting scholars. the centre is highlighting this to improve knowledge and understanding of the collection. this will allow the collection a new lease of life, preserving footage that might otherwise have been lost from studio archives. having the collection in one place provides the opportunity for researchers to look at it in a broader context and to readily compare material across a wide range of sources. the physical collection also includes meticulously hand typed index cards which will be documented along with the footage, as well as a number of notes to and from various collectors, along with newspaper cuttings from some of the broadcasts. it also includes several revised catalogues with details of when and where the material was collected. over time the carefully catalogued tapes have been subject to the slow shuffle of entropy, so it is hoped that the digitisation of the collection will preserve their order. as an artefact, the collection bears the marks of a community of avid collectors who put huge amounts of time and effort into an area of study that heile notes had hitherto been overlooked. as the title of one of the catalogue attests, the collection is the extraordinary result of the dedicated efforts of a ‘video freak’. the collection will be made available through the school of media film & music’s resource centre to current students and to visiting scholars. – from the university of sussex website posted in posts | leave a comment interview with john altman: part 6 posted on november 13, 2017 by admin part six of a six part interview with john altman over videos contained in the altman-koss video jazz archive. altman and i continue our discussion of his years running the 10 room, a club in london he started with patrick alan. their monday night jam session, which won club night of the year awards, hosted some of the most recognizable names in hip hop, r&b, and pop today. ***** camellia boutros: you had the sugarhill gang here? john altman: in the club? yeah. cb: you never worked with tupac, did you? ja: no, pat did. he started him – yeah, my partner. he was michael jackson’s choreographer, and he was lead singer in drifters. cb: oh, wow. how did you meet him? ja: i met him through another friend of mine. i met him originally when i went to poland, to see him in a broadway show, and basically we decided then we wanted to start a jam session in london, which we did. cb: look at all the people that came through, it’s amazing. ja: oh, yeah. i’ve got photographs. cb: and i can only imagine, you know, what connections happened in those clubs. ja: oh yeah – i introduced orlando bloom to spike lee. had never met him. samuel l. jackson used to come down… cb: i’m excited for this prince video, every story you hear about prince is really interesting. ja: yeah, unfortunately it’s not a video, it’s a recording, but, there’s a whole story behind it. here we go. 1:43: he starts playing the recording. prince: “i have a guest saxophone player, he should be coming down in a second, but – i think sax is his hobby. what he really is into is film scoring and he only scored, um… a film called the titanic… give it up for my homeboy, my friend, i met him the first day i came here in london: mr. john altman!” wow, what an intro. to have your resume given out by prince… 2:36: prince: “john, are you ready? now this is not the titanic, now, we gonna get into some jazz now!” 3:10: altman starts playing. they play “so what,” a la prince. 3:50: ja: i couldn’t work out what the drummer was going to play, so i thought “jazz,” but couldn’t really hear it. cb: your sound comes through very well. ja: yeah. altman’s saxophone playing goes on for about a minute or so. 4:50: ja: i was getting all these text messages from people in the audience, it was so last minute. they were like, “we didn’t know you were going to be up there!” cb: which concert was this? ja: prince did 21 nights in london, and 21 after parties. this is one of the after parties. and i told my friend in america, “i did a thing with prince. and i’d love to hear it, but – no chance.” and he said, “let me see what i can do.” and he got it off the mixing deck. every night that prince was in london. cb: that’s amazing. ja: it is amazing. cb: it’s great that you got this! ja: yeah! cb: i think it’s a little over a year now that he’s passed away, huh. ja: yeah. well all three of them died last year: bowie, prince, and george michaels. i worked with all three. cb: yeah. wow. what a brutal year. ja: yes. 6:08: ja: there you go. so they can’t take that away from me! you know? i did it. ***** posted in altman interview | tagged brighton , jazz , john altman , united kingdom , university of sussex | leave a comment interview with john altman: part 5 posted on november 13, 2017 by admin part five of a six part interview with john altman over videos contained in the altman-koss video jazz archive. this part of the interview gets personal, with altman departing a bit from the archive to talk about his personal career as a performer, composer, and impresario. we start with his time at monty python and eventually learn about his experience running the 10 room, where he became hosted some of the biggest names in hip hop, pop, and r&b. ***** as a longtime composer for monty python, altman has hours of public and private footage of the cast and crew. we spend some time watching interviews and sketches, including one of the cast wishing john cleese’s 75th birthday. 5:38 john altman: yeah, i’ve got this weird assortment of stuff.. camellia boutros: well your career – it’s spanned over so many different things. ja: it’s so many different things, yeah… actually, talking about that… somebody gave us all of these, which are interesting. altman starts playing a video cb: is that john legend? ja: yeah, it was his first ever show. cb: wow… where is this? ja: it’s a club i ran called the 10 room… they had no clue who he was. cb: [laughs disbelievingly] was he discovered here? ja: yeah! and amy winehouse. cb: i also saw that you worked with will smith? ja: yeah! cb: what was that for? ja: he performed at the 10 room. cb: he came here?! ja: yes! uh, everyone came here. when they did the amy winehouse film, they said, “do you have any footage of her?” and i said, “well, it was before she got famous, so the only person who would have taken footage would be if somebody came down with a film camera.” and somebody did come down with a film camera, and he sent me all these that i hadn’t seen, about a year ago. 7:55 we’re watching footage of john legend, then will smith, then altman playing with amy winehouse. ja: [laughs] it’s like stepping back in time. there’s me. 8:50 we can hear altman’s sax playing from the recording 9:45 cb: pharrell?! ja: pharrell. cb: do you play up there with pharrell? ja: yeah! i’m sure i do. cb: how fun was that? ja: it was fun! yeah. there’s eminem’s manager. 10:45 pharrell performing with n.e.r.d. ja: i just got sent a bunch of these tapes. cb: are these in the archive? ja: sorry? no, these have just come to me. they’re not in the archive. cb: do you think you’d ever consider including them, as an offshoot of jazz? ja: yeah, i mean the only thing is i don’t own

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